Jane Hayes Greenwood:
Weird Weather
Weird Weather brings together new paintings and drawings by Jane Hayes Greenwood, created during a profound period of transition following the loss of her mother in early 2025. The exhibition presents new landscape paintings that merge the hills and skies of the artist’s West Yorkshire childhood with a dynamic internal weather system.
In these paintings, skies swell with anthropomorphic clouds; rainbows stretch into the corporeal and hills strain under atmospheric weight. Here, landscapes absorb memory, feeling and the body. These works explore how weather - both emotional and meteorological - shape the way we experience the world. At times sublime, at times violent, weather here becomes a carrier of both spectacle and private experience, marking moments of deep love, wonder, beauty, turbulence and loss.
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Ione & Mann and Castor are delighted to jointly announce a solo show by Jane Hayes Greenwood. The galleries are collaborating to present a new body of work by Hayes Greenwood hosted at Ione & Mann’s central London location.
Private View - Thursday 22nd January 2026
Exhibition runs - 23 January - 7 March
1st Floor, 6 Conduit Street, London, W1S 2XE
Jack West:
Maggoty Paggoty
Many visual portrayals of science fiction feel inspired by cities, neon-lit metropolises, often with technology as the dominant force leaving humans to feed off scraps. Sci-Fi’s take on the countryside is less abundant, and often leans into the occult or supernatural, fed by the open space and lack of human overseers.
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Magda Blasinska: Owl Mountain
Fabian Ramírez: Firing of the Idols
Andrea Medjesi: Look, I have brought them back..
Clyde Hopkins: Paintings 1989 - 1993
Nana Wolke: Hot Seat
Jane Hayes Greenwood: Garden of the Night
Roberta Booth: Paintings 1972 - 1982
Rosie McGinn: Contemplating my Navel
Nick Paton: fala ford
2020
Jack Burton: Pro-Social Fries
Barry Reigate: Drawings
Rafal Zajko: Resuscitation
Habitual
Lindsey Mendick: The Ex Files
Jack West: Last Man Standing
Jonathan Trayte: SCHUSSBOOMER
Derek Mainella: It’s the end of the world as we know it and I feel fine
Alan Magee: Business As Usual
Jack Burton: SOFT DIARY
Steven Gee: Sandwiched
Oliver Tirre: I am so heavy
Derek Mainella: Infinity Poison
2024
Mark Jackson: psychic surface
Sarah Derat: Two-Hearted
2023
Grace Woodcock: 23.5°
Des Lawrence: Oh my absolute complete and utter everlasting days!
Jane Hayes Greenwood:
A Little History
Ben Jamie: Realm
Jean-Philippe Dordolo: 3.01 am
Roberta Booth: Works on Paper
2022
Jack West: Solstice Arc
Ben Jamie: Threshold
There Goes the Neighbourhood
Tom Worsfold: Additives
Liam Fallon: The Hotspot
Claire Baily: Terra Incognita
Louis Appleby: Rear View Mirror Sunset
Derek Mainella: Too Much Fun
2021
Ian J Brown: Midnight Shadows
Doubling Down
Ben Jamie: And Other Withered Stumps of Time
Jack Warne: Rtapte
Lucas Dupuy: Florist Mews
The Stable Object in Precarious Time
Charline Tyberghein: many drops make a puddle
Simon Mathers: The Frenzy
Indrikis Gelzis: Figure of Everything
Grace Woodcock: GUT-BRAIN
2019
Amanda Moström: Participating in a chair
Derek Mainella: Comfort Zone
Alan Magee: Data Dust, Dust Data
Sarah Derat: She Who Loves Silence
2018
Miriam Naeh: Tall Tales, Tall Tails
Tom Worsfold: Models
Jutro
Ben Jamie: Comfortably Dumb
Claire Baily: Skeleton Key
Rafal Zajko: Jaka praca dzis - takie nasze jutro
Amanda Moström: Doing it in the park, doing it after dark
Simon Linington: In From The Light
2017
Lotti V Closs: In Plain Sight
Mari Kolbeinson: Triangle Walks
Barry Reigate: Do Zombies Dance to Love in C Minor?
Jack West: Time and Attendance
2016
Alan Magee: Some days I’m thinking, some days I’m dreaming
Ben Jamie: Sense Data
Sarah Bernhardt: like all your favourite entries from urban dictionary in a font you hate
Claire Baily: Dream On
Peter Ainsworth: how arid it is, how fertile it is
Lily Hawkes: FLEX
Kate McMillian: Stones for Dancing, Stones for Dying
Amy and Oliver Thomas - Irvine: RROYA
